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M-Audio M-Track 2X2M

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Excellent 9.7 out of 10 Read our reviews on Trustpilot
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M-Audio M-Track 2X2M
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Product Description

The M-Audio M-Track 2X2M is a compact and portable 2-in/2-out USB audio interface for use in a home studio or on the road. Features 5-pin MIDI In and Out, two 1/4" instrument inputs, 1/4" stereo outputs and 1/4" headphone output.

With the M-Track 2X2M, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. Boasting an elegant pro-grade metal chassis with a large central volume knob, the M-Track 2X2M features all-new transparent low-noise pre-amps and pristine A/D converters that deliver the highest audio performance in its class. The M-Track 2X2M enables you to record up to 2 channels at once with its 2 dedicated XLR+¼" balanced combo inputs, and 2 all-new ¼" instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. 5-pin MIDI In and Out connections are included for connecting synths, sequencers and other external MIDI gear.

The M-Track 2X2M connects to your Mac or PC via a standard USB or USB-C port using one of the two included cables. This premium Hi-Speed USB connection enables you to have zero-latency monitoring of your inputs, making the recording process easier than ever. The overall combination of professional audio performance, easy-to-use features, and the included software bundle that provides everything you need to start recording now makes the M-Track 2X2M an amazingly versatile, high-performance audio interface that sets the new standard for its class.

Here we have the M-Audio M-Track 2X2M  in brand new condition and in B-Stock. The B-Stock versions would have been on display at a training evening or trade exhibition only and will come boxed 'as new' with all accessories and a 1-year warranty.


  • 24-bit/192kHz resolution for professional recording and monitoring
  • Hi-Speed USB connection with USB/Direct balance knob for zero-latency monitoring
  • Includes both standard USB and USB-C connection cables
  • Includes (2) XLR+¼" TRS combo inputs and (2) ¼" instrument inputs
  • 5-pin MIDI input/output for connecting virtually any external MIDI gear
  • Rugged metal chassis; large central control for easy volume adjustment
  • Stereo ¼" outs; ¼" headphone out with independent level control
  • Minimum System Requirements:
    Windows: 7 (32 and 64 bit)
    OSx: 10.8
  • Included software:
    Pro Tools First
    2GB Sample Library from Touch Loops
    AIR Creative FX Collection (20 world-class FX AU/VST plugins as made famous by Pro Tools®)
    AIR Strike
    AIR Xpand!2
    AIR Mini Grand
Product Reviews (2)
StarStarStarStarStar 5/5

This shiny great looking device with big silver knob is not only aesthetically pleasing, but as well have a very good quality electronics low noise and sharp clean sound is the main advantage of this device. Cons: it is only allows to monitor in mono if you are using direct monitoring if you have a good workstation with powerfull processor it is not an issue as you can listen to the USB output. Strangely the decoder sampling every chanell separately so it is a stereo but only if you echo sampling sound to the M-track. As has been described before direct monitoring is only mono so if you have a slow machine latency problem can be present if try to echo sampled track , then you have to go with mono direct monitoring. This would be even better device if the Mic and instrument inpus could be sampled at the same time. Normally if you connect some device to the instrument port it is taking a priority and turning off the Mic inputs. Over alll the device looks shiny interesting shape instead of simple box and excellent potentiometers which are as good as it can be


I bought this item (B-Stock), and it did not take long for it to change my recordings drastically. Using it with Logic Pro and it works a treat. The quality is great. For £100, my home recordings are already sounding somewhat professional - and that's before I started playing around with the sound in editing.

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